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Visual Fine Arts

Table of Contents

This is the homepage for the Visual Fine Arts category, a subcategory of The Arts.

The Renaissance

Rebirth of art primarily in Italy

Mannerism

Late renaissance period, defied the necessity of realism

Baroque

Relatively emotional over calm rationality from the Renaissance, also focused on shadow work and detail

Neoclassicism

Seeked to revitalize the Roman style of art and its themes

Rococo

Mainly French movement that focused on royalty and pretty landscapes, happy scenes.

Romanticism

Based on extreme emotional scenes, prized the feeling of the art over the realism

Realism

focused on capturing the nitty-gritty of real life; common themes ar poverty, peasants, and city life

(a subsect of realism but in the context of romanticism was the Barbizon school, which was started by and led by Millet)

Ashcan School

American artists who wanted to accurately portray city lif hardships, led by Robert Henri and associated with Edward Hopper

Hudson River School

American art movement focused on the Hudson river. Led by Thomas Cole and practiced by Asher Durand and George Bellows

Pre-Raphaelite Brotherhood

Wanted art to go back to before Raphael began painting, since his work was seen as perfect and anything less was slop

(This group founded the journal The Germ)

Art Nouveau

Diverse movement across many countries aimed at blurring the line between decorative arts and fine arts. I.e. using stained glass of concrete as a medium; used pretty materials and dynamic lines.

Impressionism

Focused on the initial impression of light on an object. Name is from Monet’s Impression: Sunrise

Pointillism

Subsect of impressionism that used small dots to make a full image

Post-Impressionism

Followed Impressionism and pre-dated Fauvism making a weird mix, worked off the concept of light but added arbitrary color and emphasis for emotional effect.

Fauvism

Used color arbitrarily for effect, kaleidoscopic extreme

Expressionism

Mostly German, based on extreme emotional experiences rather than literal images

Cubism

Showing objects from numerous vantage points at once, breaking perspective, pre-dated by Cézanne

See Qwiz5’s article for more information

Other cubism info: synthetic and analytic phases, offshoots named purism and orphism, other artists include Metzinger and Gris, introduced collage

Futurism

Primarily Italian movement, worshiped speed, modernity, technology and violence > The manifesto was written by Marinetti, says: “a race-automobile which seems to rush over exploding powder is more beautiful than the ‘Victory of Samothrace’”

Der Blaue Reiter (“The Blue Rider”)

German movement, abstract, let by Kandinsky

Die Brücke (“The Bridge”)

Less abstract than der blaue reiter but forms are distorted for emotion realism, sought to connect the old and the new via the bridge

Constructivism

Russian art movement led by Tagline which sought to reject autonomy in art and “construct” it for social purposes only, also a major architectural style that influenced the Bauhaus school

Suprematism

Russian as well, saw art as a “supremacy of pure artistic feeling,” rather than being restrained by objects or form

Constructivism believed that art was made for social purposes while suprematism believed it was made purely for itself

Regionalism

Realistic scenes of rural and small-town america, especially in the midwest

Other artists

Not easily put into a category

De Stijl

Abstract Dutch movement based on geometric forms; everything can be reduced to colors and lines

Surrealism

Wanted to explore the unconscious mind through self induced psychosis and dream states, also automatic writing, manifesto by Andre Breton

Dada

Anti-art movement that loved randomness

Abstract Expressionism and Color Field Art

Diverse movement applied to abstract art

Two branches: gestural and color field. Gestural is spontaneous and dynamic, color field art is focused on color relationships and large blocks of color

Other artists: Franz Kline, Josef Albers, Helen Frankenthaler, Barnett Newman, Clyfford Still

Pop Art

60s movement based around pop culture and advertisement

Op Art

Based on optical illusion, creates motion by placing lines and objects close together

Minimalism

Reduces work to its absolute basic components and the space around it

Conceptual Art

More about the concept it embodies then the actual art

Contemporary Art

Generally post-modern with a nice amount of conceptual works

Architects

Other Sculptors

Photographers